VSO

VANCOUVER
SYMPHONY
ORCHESTRA

 

A British Celebration
With Bramwell Tovey

MUSICALLY SPEAKING:
An informal concert presentation featuring popular Classics,

Video Screens
and insightful commentary about the
Composers and their music.

Sat      MAY 7     8PM

WALTON Crown Imperial March
ROBERT WALKER
Fragments of Elgar’s
Concerto for Piano and Orchestra

VAUGHAN WILLIAMS
English Folksong Suite
ELGAR
Pomp and Circumstance March No. 4
ELGAR
Enigma Variations

Bramwell Tovey conductor
David Owen Norris
piano

Maestro Bramwell Tovey returns with fellow Brit David Owen Norris to present a program of music from, and inspired by the British Isles. With Elgar prominent, look forward to Bramwell’s interpretation of his Crown Imperial March, Enigma Variations, and Pomp and Circumstances March No.4. You’ll also enjoy Vaughan Williams English Folksong Suite.

You can also look forward to the appearance of the witty, diminutive, volatile spirit of David Owen Norris. The Seattle Times hails this keen-edged talent as “playing like a demon possessed, utterly quirky highly personalized, and strangely brilliant.”

For information on group sales call 604.684.9100 ext.252 barry@vancouversymphony.ca

www.vancouversymphony.ca


Edward Elgar ... an English musical genius.

Born at Broadheath, a village some three miles out of Worcester on the road to Tenbury, Edward Elgar was born on June 2nd in 1857. The red-brick house where the family lived still stands ... a museum filled with Elgar treasures.

With the performance of the Enigma Variations forty-two years later, Elgar stepped out of the ranks of the talented, and took his place among composers of genius.

On the title page of the score Elgar wrote a dedication ‘To my Friends pictured within’ and at the head of each of the fourteen variations he ~ wrote their initials, beginning with his wife and ending with himself.

The work had been written during the late autumn the previous year. The story goes that one evening he began to play something on the piano that his wife had not heard before. She liked it and asked him what it was, but he only replied: ‘Nothing, but something might be made of it’. He then began to improvise, playing the theme in a way he thought some of his friends might have written it. In this way, the Enigma Variations was born.

But the variations contain mysteries that have never been solved, or so it is believed. Elgar himself left a clue, or, rather, posed the problem when he said: ‘The Enigma I will not explain — its “dark saying” must be left unguessed, and I warn you that the apparent connection between the Variations and the Theme is often of the slightest texture; further, through and over the whole set another and larger theme “goes”, but is not played ... so the principal Theme never appears.’

And ever since, musicians have been trying to guess the answer. An American magazine even held a competition and gave prizes for the best answers, but none fit like a glove. Elgar demolished the most promising suggestion by saying: ‘No, Auld Lang Syne won’t do.’

And so the question, if it is a question and not just a brilliant leg-pull on Elgar’s part, remains open. Anyone who solves it can be sure of a place in musical history.

Call Barry Jakel VSO Group Sales 604-684-9100 Local 252

Email:       Barrv@vancouversyrnphony.ca